Tracy's blog 13: document design and technical marketing documents
Technical marketing
documents are produced with specific attention paid to document design. Writers and designers make a series
of key decisions related to the product, the manufacturer, target audiences,
availability of resources used to produce the document, and the document’s
point of distribution.
Document design: the basics
An especially
beginner-friendly resource for creating effective technical marketing documents
is Robin Williams’ book The Non-Designer’s Design Book (now in its second
edition). This book, which retails for
$19.95 is very user-friendly in content and engaging in tone – she has fun with
design, and she wants all of us to have fun with it, too, even if we don’t
necessarily get things right the first time.
This book, like anything we’ve looked at associated with this project,
emphasizes the writing situation and the audience. With that in mind, here are Robin Williams’
four components of document design:
·
Contrast
·
Repetition
·
Alignment
·
Proximity
Contrast: Involves items on the page that are different
from each other. Items that are
identical are OK. Items that are
“similar” are not; they lack connection to one another, and they also compete
with each other.
Repetition: Repeating items communicates identity,
consistency, and importance.
Alignment: Items should have a visual connection with
other items. Don’t place items just to
get them onto the page, or to “scatter” items across the page. Alignment communicates relationships between
items; it also organizes items in ways that make the overall document more
accessible to readers.
Proximity: Items placed near each other need to have some
sort of relationship or connection between them. Proximity is another method of organization.
Document design and the technical marketing document
Document design is key in
technical marketing documents, since information must not only be gathered and
compiled, but it must also be presented.
Text. Images and colors are obviously important here, but so is effective presentation of text. Columns – the number of columns, the length and width of columns – help arrange text within a document. Readability is enhanced when there’s effective use of margins; end-to-end text in an 8 ½ by 11 document is somewhat difficult on the eyes. Margins can be functional, or they can be dramatic. Some documents have wide margins to the left and text blocks scooted over to the right, resulting in a usable and artistically attractive document.
Placement of text within a
brochure is especially critical. Columns
need to orient themselves within each panel so that when the document is
folded, the crease runs along – not within – columns.
Typography is another
important text-oriented element in document design. There are four general categories of
typefaces: serif (Times New Roman), sans
serif (Arial, Helvetica), script, and decorative. Serif typefaces, or fonts, are usually used
for body copy; the stems, or serifs, on each letter help “propel” readers from
one letter to the next in a word, so that we in a sense “glide” through
individual words and groups of words – making glancing at a document easy and
convenient. Sans serif typefaces generally
are used for headlines and subheads; they are more bold in appearance than
serif-based fonts. But Arial has also
caught on for body copy in web-based documents because it looks “modern.” Script fonts and decorative fonts are used
for special occasions, and for that reason they must be chosen with great
care. Use them only for headlines, since
their ornamented style makes them more difficult to read if used for anything
beyond small increments of text.
Size and weight are
important, too, since we use these criteria to measure text. In terms of size, we work with “points,”
instead of inches. One inch equals 72
points. For a flyer, headlines range
from 42 to 72 points. Subheads range
from 24 to 36 points. And body copy
ranges from 10 points to 18 points. For
a brochure, the values are adjusted due to each panel visually representing a
“separate” document. A 48-point headline
would overwhelm a brochure panel, and it would stretch over several lines. But a 24-36 point headline in a brochure would
be just fine. Subheads? 14-18 point.
Body copy? 9-12 point. In terms of weight, we have regular, italics,
boldface, and underlined. Boldface
emphasizes text, italics de-emphasize it.
Avoid underlines; they’re too reminiscent of the typewriter and they
tend to “obscure” the words above them!
Another important
consideration: placement of the
manufacturer’s logo, which must be present within the document. If the document is meant to emphasize the
manufacturer, the logo should be placed in a prominent location. If the document is meant to emphasize the
product or the target audience, the logo should be placed somewhere
considerably less prominent – such as the back panel of a brochure, or in the
bottom right corner of a flyer.
Color. Color is much more than simply “window dressing”! Color communicates identity – identity regarding the product, identity regarding the manufacturer, identity regarding the target audience. In terms of document design, it’s important to keep in mind what various colors “mean” – but it’s also important to keep in mind that some colors are more effective in technical marketing documents than others. Colors like blue and green are almost always good bets; they’re friendly, soothing, and very printer-friendly. Colors like yellow, orange, and brown sometimes carry negative connotations – “too ugly,” “too boring,” “too gaudy,” “too ordinary.” However, these colors can be especially effective when implemented for specific products: household appliances, home improvement products, and the like.
What about black, white, and gray? Some technical marketing writers and designers steer clear of these colors because they perceive such colors as not as readily able to take advantage of the “variety” that desktop publishing software and peripherals offer at reasonable prices. But these colors can actually be effectively implemented if used to create a timeless, creativity-oriented mood. Finally, what about red? It’s not as often used – not because of any negative connotations as much as red is not as print-friendly or screen-friendly than other colors. In print, it overwhelms other parts of the document. On screen, it’s hard on the eyes.
Layout/design
As you begin to sketch out your sample document, there are a number of items that you should consider:
- The amount of information that needs to be presented
- The types of documents that "fit" your product type. Vehicles are usually presented in booklets, due to the need for detailed text-based information, as well as several different kinds of visuals. Household appliances and home improvement products are more often presented in flyers or larger brochures. Computers and electronics are often presented with brochures, but can also be presented in flyers and booklets. They're occasionally presented in postcards and other smaller documents. Pharmaceutical products offer the most variety in document types -- they're just as likely to be presented in large posters as they are in small postcards.
- The text/image ratio suitable for your product. Vehicles tend to have a high percentage of images, while machines have more text. Avoid ratios of 50/50, since the eye will be unable to focus on any one specific item. Also, avoid ratios higher than 80/20, as the "lesser" item will be too difficult to see.
- Successful documents use a grid-style approach, rather than having text and images scattered randomly across the page. Grids emphasize relationships between items, as well as levels of importance.
- Placement of information: I would recommend designing the front page or cover first, and then placing product specifications. Let the rest of the information fall in around those items.
- Tables are especially effective for placing text and images next to each other, as well as for placing titles and section titles with body copy and/or images.
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