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Creative Commons and the Music Industry Final Draft - Downloadable PDF

David Blakesley @ Tue, 08/24/2004 - 10:16

Project:OSDDP Project
Component:White Paper
Category:revision
Priority:normal
Assigned:Demosthenes
Status:active

Description

This issue would involve discussion of intellectual property issues, copyright, and CCL as they play out in the music industry. For an interesting story about how MP3 distribution works and as a resource for this project, you might review this NY Times story: "Warner's Tryst With Bloggers Hits Sour Note." (Free registration required to access the article.) --DB

Updates

#1 submitted by kevin2273 on Mon, 09/13/2004 - 16:06
Assigned to:» kevin2273

were accepting assignment

Brooke Pitchford
Nate Spitz
Dick Clark
Kevin McWilliams

#2 submitted by kevin2273 on Fri, 09/24/2004 - 00:44
Attachment:white report.php (56.5 KB)
#4 submitted by kevin2273 on Fri, 09/24/2004 - 00:46
Attachment:Executive Summary.doc (25 KB)

executive summary

#5 submitted by kevin2273 on Fri, 09/24/2004 - 15:35

Executive Summary:
In the writing of this paper the most tedious task was organizing the research data. Their was so much to chose from in terms of Creative Common Licensing in the music industry. One aspect we chose to start with was the definition and the ideas behind Creative Commons. This new revolutionary idea is a non-for-profit company that is using creative ways of copyrighting works of art and then enabling others to download it. Creative Commons promotes the creative re-use of intellectual and artistic works, whether owned or in the public domain by empowering authors and audiences. The main benefit of Creative Commons is that artists can get there music to a broader audience. The next direction we emphasized was the history of the illegal acquisition of music mp3 files. This section emphases such websites as Kazza, Napster, and Morphius, along with the legislation currently being passed involving the illegal sharing of music. In the next section we exclusively address Creative Commons and articulate the minor legal procedures involved in sharing music. Furthermore we emphasized the impact of Creative Commons as well as the world wide expansion process.
The problems we had while writing this paper included being as unbiased as possible. This has proven to be a difficult task, but we managed to sound as professional as possible. Due to the fact that this is a rough draft the citing of sources is not at the level of acceptability. We will continue to work on these aspects in order to make this paper become a complete white paper to its full potential.

#6 submitted by kevin2273 on Fri, 09/24/2004 - 15:50

We are concerned with the flow of our paper, do we relate each topic to each other? Do we give a good understanding of our topics? what other topics would be interesting to add to our paper?

Thanks for looking it over, we appreciate the feedback.

#7 submitted by cel4145 on Sun, 09/26/2004 - 02:48
Attachment:ccandmusic.pdf (83.51 KB)

see the attached post for some suggestions

#8 submitted by kevin2273 on Wed, 10/13/2004 - 15:24
Attachment:whitepaper dreams 1.htm (24.08 KB)

Creative Commons is a new phenomenon that is changing the way we view the copyright world. It began being used by articles and journals and has now emerged in our own pop culture world of music. Creative Commons has a started a new way to record and download music in a way that everyone including the public can benefit from. It allows the artist to put certain restrictions on how they want their music distributed by adding different types of licensing agreements to the music. By doing this it allows the listener to change the music, as well as share it with others as long as all guidelines are meant in the Creative Common licensing agreement. This new wave of licensing is free via the Creative Commons website which is a not for profit organization. The belief associated with Creative Commons is that all intellectual pieces of work should be accessible and used by everyone. In this paper, Creative Commons in the Music Industry, a reader will know what constitutes a license agreement. Throughout the paper detailed examples are expressed from the world of music on how creative licensing procedures are being employed and what benefits are associated with the new licensing procedure.

#9 submitted by kevin2273 on Mon, 10/18/2004 - 03:32

Executive Summary:

Creative Commons is a new phenomenon that is changing the way we view the copyright world. It began being used by articles and journals and has now emerged in our own pop culture world of music. Creative Commons has a started a new way to record and download music in a way that everyone including the public can benefit from. It allows the artist to put certain restrictions on how they want their music distributed by adding different types of licensing agreements to the music. By doing this it allows the listener to change the music, as well as share it with others as long as all guidelines are meant in the Creative Common licensing agreement. This new wave of licensing is free via the Creative Commons website which is a not for profit organization. The belief associated with Creative Commons is that all intellectual pieces of work should be accessible and used by everyone. In this paper, Creative Commons in the Music Industry, a reader will know what constitutes a license agreement. Throughout the paper detailed examples are expressed from the world of music on how creative licensing procedures are being employed and what benefits are associated with the new licensing procedure.

#10 submitted by kevin2273 on Mon, 10/18/2004 - 03:34
Attachment:Final draft pdf.pdf (26.45 KB)

Executive Summary:

Creative Commons is a new phenomenon that is changing the way we view the copyright world. It began being used by articles and journals and has now emerged in our own pop culture world of music. Creative Commons has a started a new way to record and download music in a way that everyone including the public can benefit from. It allows the artist to put certain restrictions on how they want their music distributed by adding different types of licensing agreements to the music. By doing this it allows the listener to change the music, as well as share it with others as long as all guidelines are meant in the Creative Common licensing agreement. This new wave of licensing is free via the Creative Commons website which is a not for profit organization. The belief associated with Creative Commons is that all intellectual pieces of work should be accessible and used by everyone. In this paper, Creative Commons in the Music Industry, a reader will know what constitutes a license agreement. Throughout the paper detailed examples are expressed from the world of music on how creative licensing procedures are being employed and what benefits are associated with the new licensing procedure.

#11 submitted by kevin2273 on Mon, 10/18/2004 - 15:34
Title:Creative Commons and the Music Industry» Creative Commons and the Music Industry Final Paper
Attachment:creativecommons_0.zip (658.96 KB)

Creative Commons is a new phenomenon that is changing the way we view the copyright world. It began being used by articles and journals and has now emerged in our own pop culture world of music. Creative Commons has a started a new way to record and download music in a way that everyone including the public can benefit from. It allows the artist to put certain restrictions on how they want their music distributed by adding different types of licensing agreements to the music. By doing this it allows the listener to change the music, as well as share it with others as long as all guidelines are meant in the Creative Common licensing agreement. This new wave of licensing is free via the Creative Commons website which is a not for profit organization. The belief associated with Creative Commons is that all intellectual pieces of work should be accessible and used by everyone. In this paper, Creative Commons in the Music Industry, a reader will know what constitutes a license agreement. Throughout the paper detailed examples are expressed from the world of music on how creative licensing procedures are being employed and what benefits are associated with the new licensing procedure.

#12 submitted by kevin2273 on Mon, 10/18/2004 - 16:17
Title:Creative Commons and the Music Industry Final Paper» Creative Commons and the Music Industry Final Paper 2
Attachment:creativecommons_1.zip (658.99 KB)

Creative Commons is a new phenomenon that is changing the way we view the copyright world. It began being used by articles and journals and has now emerged in our own pop culture world of music. Creative Commons has a started a new way to record and download music in a way that everyone including the public can benefit from. It allows the artist to put certain restrictions on how they want their music distributed by adding different types of licensing agreements to the music. By doing this it allows the listener to change the music, as well as share it with others as long as all guidelines are meant in the Creative Common licensing agreement. This new wave of licensing is free via the Creative Commons website which is a not for profit organization. The belief associated with Creative Commons is that all intellectual pieces of work should be accessible and used by everyone. In this paper, Creative Commons in the Music Industry, a reader will know what constitutes a license agreement. Throughout the paper detailed examples are expressed from the world of music on how creative licensing procedures are being employed and what benefits are associated with the new licensing procedure.

#13 submitted by kevin2273 on Mon, 10/18/2004 - 16:19
Title:Creative Commons and the Music Industry Final Paper 2» Creative Commons and the Music Industry Final Paper PDF
Attachment:file____H__pu.data_Desktop_creativecommons_Final%20draft.pdf (109.77 KB)

Creative Commons is a new phenomenon that is changing the way we view the copyright world. It began being used by articles and journals and has now emerged in our own pop culture world of music. Creative Commons has a started a new way to record and download music in a way that everyone including the public can benefit from. It allows the artist to put certain restrictions on how they want their music distributed by adding different types of licensing agreements to the music. By doing this it allows the listener to change the music, as well as share it with others as long as all guidelines are meant in the Creative Common licensing agreement. This new wave of licensing is free via the Creative Commons website which is a not for profit organization. The belief associated with Creative Commons is that all intellectual pieces of work should be accessible and used by everyone. In this paper, Creative Commons in the Music Industry, a reader will know what constitutes a license agreement. Throughout the paper detailed examples are expressed from the world of music on how creative licensing procedures are being employed and what benefits are associated with the new licensing procedure.

#14 submitted by kevin2273 on Mon, 10/18/2004 - 16:28
Attachment:creativecommons_2.zip (658.98 KB)

Creative Commons is a new phenomenon that is changing the way we view the copyright world. It began being used by articles and journals and has now emerged in our own pop culture world of music. Creative Commons has a started a new way to record and download music in a way that everyone including the public can benefit from. It allows the artist to put certain restrictions on how they want their music distributed by adding different types of licensing agreements to the music. By doing this it allows the listener to change the music, as well as share it with others as long as all guidelines are meant in the Creative Common licensing agreement. This new wave of licensing is free via the Creative Commons website which is a not for profit organization. The belief associated with Creative Commons is that all intellectual pieces of work should be accessible and used by everyone. In this paper, Creative Commons in the Music Industry, a reader will know what constitutes a license agreement. Throughout the paper detailed examples are expressed from the world of music on how creative licensing procedures are being employed and what benefits are associated with the new licensing procedure.

#15 submitted by Demosthenes on Thu, 02/03/2005 - 16:13
Component:Documentation» White Paper
Category:tasks»
Assigned to:kevin2273» Demosthenes

On this Thursday, the third day of the second month of the year 2005, group 2 consisting of Adam, Miguel, Dustin, Kristyn, and Andrew claim this project as theirs for revision.

#16 submitted by Demosthenes on Thu, 02/10/2005 - 14:17
Attachment:bibliography.pdf (36.85 KB)

Attached is a list of our new sources.

#17 submitted by dlewis on Thu, 02/17/2005 - 15:12
Attachment:CCroughdraft.doc (40.5 KB)
#18 submitted by fizzter on Thu, 02/17/2005 - 15:27
Attachment:Feb 17.doc (33 KB)

Here is some information regarding our recent draft posting (see above), including information about our draft progress and specfic issues to address.

#19 submitted by Demosthenes on Mon, 02/28/2005 - 00:44
Attachment:CCdraft2b.doc (45.5 KB)

Draft two of Creative Commons in the music industry.

#20 submitted by fizzter on Mon, 02/28/2005 - 10:59
Attachment:CCdraft2b.rtf (30.47 KB)

If the above issue does not format correctly on your machine, try downloading the rich text document version here.

#21 submitted by cel4145 on Wed, 03/02/2005 - 17:59
Attachment:ccmusic2.pdf (121.63 KB)

Attached is a pdf with some comments.

#22 submitted by fizzter on Thu, 03/10/2005 - 00:26
Title:Creative Commons and the Music Industry» Creative Commons and the Music Industry Final Draft
Attachment:ccmus.html (19.01 KB)

This is the final copy of our paper on Creative Commons and the Music Industry. This is the online HTML copy.

#23 submitted by fizzter on Thu, 03/10/2005 - 00:29
Title:Creative Commons and the Music Industry Final Draft» Creative Commons and the Music Industry Final Draft - Downloadable PDF
Attachment:ccmus.pdf (102.79 KB)

This is the Final Draft of our paper on Creative Commons and the Music Industry. Here is a downloadable PDF document.

Comment viewing options

Select your preferred way to display the comments and click "Save settings" to activate your changes.
 
Tue, 03/01/2005 - 16:27
 

These are possible changes I would make.

"Because of Creative Commons, a whole new feeling of enthusiasm is arising when in comes to the music industry."

- "in" should be "it"

"This paper will explore the copyright law before Creative Commons, the impact Creative Commons has had on the music industry thus far, the Creative Commons license itself, what Creative Commons allows artists to do, and the possibilities for the future of Creative Commons."

- Try doing this with bullets. It will be easier to read and comprehend.

"With a Creative Commons license, users need not be afraid of finding themselves in court for using the material and creators of the product can be at ease knowing that others are seeing their material."

- Split this into two different sentences. It reads as if the users won't need to be afraid of using the materials and creators of the product.

This is as far as I have gotten. I'll try to post again later.
Good job on the paper.

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Tue, 03/01/2005 - 16:17
 

-1 or 1.5 spacing should be used.
-putting a link within the paper is a bit awkward, I would put it in your list of sources at the end.
-good format of the paper and less repetition from the first time i read it. I saw little to no grammar/spelling errors.
-maybe expand a little more on the International aspect of creative commons. you mention it in the executive summary but don't really follow up on it.
-you have footnotes such as (1) or (2) after quotes, obviously denoting some type of reference but where is it at the end of the paper?
-overall I think it has improved from the last time i read it, I recommend revising it a few more times and think about if you need any other sections that deal with music in the creative commons industry

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Tue, 03/01/2005 - 16:15
 

First thing that struck me is that the executive summary is still pretty long and kind of a pain to read through. Cutting it down or at least breaking it into smaller paragraphs would be helpful.

The way your introduction sets the order of things up doesn't seem to quite carry through to the paper. Synching those two things up a little better might be helpful.

I only skimmed this...but in your section about licensing you don't seem to actually get into the individual licenses. I realize you don't want to talk about all of them, but there are three that were created with the music industry in mind. Why wouldn't you detail how those work?

I think when you're explaining the problem that creative commons hopes to solve you could be more specific to the music industry. There must be a case study or two out there about an artist who has had legal problems related to sampling.

A lot of paragraphs look like they could be broken down some, that would certainly help with readability. Doesn't look like a bad paper, but I think it needs a little more meat and good amount of editing.

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Sun, 02/20/2005 - 19:57
 
  • Since the paper is about CC in the music industry, it would make sense to me to try to organize it more around that principle. So, for example, does the copyright section of the paper need to be that long since it talks neither about CC or the music industry. Could it be condensed? Could the copyright section somehow be worked into the CC license section (with subsections of course) so that it fits in where needed if the user needs to know about it? That way, the paper jumps right into Creative Commons rather than having to wait for the backstory. So I would start off after the introduction with "The Change Creative Commons Brings." Then decide whether you need a whole subsection somewhere in the license section or maybe just a paragraph or two there.
  • Creative Commons does not actually offer copyrights. They offer licenses--sort of like a contract--which gives user specific rights to use a work not normally allowed under copyright law (in fact, these licenses are enforceable because of the rights given authors under copyright law). Now I've seen some discussions of CC call CC "copyright" but it tends to confuse people, and I think here, is creating some confusion.
  • Paragraph 2 of "The Creative Commons License" section is not clear to me since not all CC licenses specify non-commercial use.
  • I think the paper would benefit from more specific examples of CC licensed projects and discussions of those projects. Have you looked at the examples listed on the CC audio page and researched these?
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Thu, 02/17/2005 - 16:16
 

I found the paper to be a pretty good look at what creative commons is and how it is and going to affect the music industry. One problem I do see is how you make no mention of Lawrence Lessig. He is a large part of why creative commons is even an issue right now. Being the leading expert in this field, he would be a good name to throw out if somebody wanted to research more on their own about the topic. I thought you did a good job of going through examples of where it has been used and how it has helped people in the industry already. Also I do find some redundancies in your paper, if you just mention one time about how you could end up in court I think the point could get across.

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Thu, 02/17/2005 - 16:12
 

I had no idea about Creative Commons until reading your paper. I think overall your paper is written very well. There is a lot of information that is clear and easy to understand. The paper also flows very well although I think some headings and sub headings will help this along further.

I would try to explain a little bit more on the traditional licensing agreements and then compare them more closely to the new Creative Commons way. I would also maybe expand on the creators a little bit more with maybe some more background information, how they got together and why they decided to do this project.

Overall the paper is defiantly very well written with lots of different sources for information. I know it is only the rough draft but make sure you have someone proof read the paper because some of the sentences do not flow as well as they should.

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Thu, 02/17/2005 - 16:11
 

The seems to be quite a bit of repetition when discussing the characteristics of the creative commons license and what can be done with it. Much of the information in the first 3-4 paragraphs of the section “The Creative Commons License” was mentioned in the previous section. Be more concise.

I would recommend putting the section “The creative Commons License” before the section “The Change Creative Commons Brings.” Having the explanation before the license first will make it easier to understand the changes.

It seems to me that you should note more references throughout the paper. I am assuming that you found all this information in articles and websites and that it is not your own opinion.

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Thu, 02/17/2005 - 16:01
 

Overall I'd say this is pretty good rought draft. Everything flows well together and teaches the reader what CC is, how it is used, and how it affects the music scene. Some editing needs to be done as far as spelling and grammar goes, and the layout of the paper could use some work. For the content though, considering I had never heard of the CC before, I'd say it taught me a lot. You might want to expand on the 11 licenses mentioned. Good examples given as far as how it affects artists, as well. Repition of what you are saying is kind of a problem too. Overall do some more editing and revise thoroughly and you'll be money.

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Fri, 10/15/2004 - 16:12
 

**One group of musicians that have really taken a liking to creative commons would be the garage bands.

Try: A group of musicians that utilize creative commons are garage bands.

**In addition to assuming ownership of nearly the whole MP3.com catalog, GarageBand.com now offer musicians an easy way to license their music through the creative commons

GarageBand.com, owner of MP#.com catalog, offers this group of musicians an easy way to license their music using creative commons.

**Garagebands.com is a site that both hosts independent music and uses a peer-review process to identify hot bands is now offering the Creative Commons Music Sharing License to artists who want to distribute their tunes for free. The site has focused its efforts on building a community of musicians and has also uses the internet to find talented new groups.

Try: This site hosts independent music and uses a peer-review process to identify to bands. It is now offereing the Creative Commons Music Sharing License to artists who want to distribute their tues for free. Garageband.com focuses its efforts on finding new talented groups by building a community of musicians.

**Work in the GarageBand link within the text, not just a link out in the middle of no where.

**Legal” music sharing sites have now been showing up on the internet. This may be the future of audio file sharing, but first we would need to see how these programs are different from their predecessors, and why, hopefully, they are better.

Try: Internet sites that share music legally are present possibly being the future of audio file sharing, but they need to be better compared to their predecessors.

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Mon, 09/27/2004 - 15:50
 

For the most part when doing this rough draft we were going for content, trying to get as much information as we could. We know that we need to do more research and were going to work on that. We were kind of iffy about our executive summary, we probably need to look more into other groups examples to try to perfect ours. With the sentence on "The main benefit of Creative
Commons is that artists can get there music to a broader audience." We meant it used for this topic, like you said there is many other benefits, maybe we will think about cutting that out, or going into more detail about it. Were going to make our paper more formal for the next draft by adding bulleting, headings, and reshaping it inot a more formal document.

As for researching our topic more, we will get on that soon. I think that our group has a better understanding of the basis for our white report, during last week we felt rushed and questionable about what we were doing. MOst of us havent written reports for a couple of years and especially on something that we didnt have any clue about to begin with.

With our articles that we added, we all tried to find one. THe one in question is mine, i found it in Rolling Stone and it talked about the blog side of Creative Commons sharing in the music industry. I am going to reword some of it and try to make it more fitting for our topic. Let me konw if i need to just drop it, i thought that it would be a great article to add. What are the problems that you see with it??

Once again being that it is a rough draft, we still have more work ahead of us, thanks for the comments to give us a start.

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Fri, 10/15/2004 - 16:13
 

You did a nice job of creating links with your paper.

I noticed serveral spelling and gramatical errors throughout the fist section of the paper. You need to go over it more carefully and catch all of the mistakes like misspelling, repetition of words, etc.

Avoid using words like "this, that, or it" be more specific with to what you are refering to.

In the sentence "Matthew Haughey of Metafilter (www.metafilter.com) says..." You could just say Matthew Haughey of Metafilter.com says. Rather than having a citation in the middle of a sentence that throws off the flow of the paper.

In your citations within the paper, the common form of MLA to use would be (last name of author, year) and the bibliography needs to be more than just the websites. The format for that goes as follows

Last name, first.Title of article.date of submission.source of
article if applicable.date you viewed it.website.

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Mon, 09/27/2004 - 17:45
 

The way to think about research is not that each of you go out and find so many, but that you research until you are confident that you are covering well the topic.

As for your article, is about CC and the music industry? If so, then it may be useful. But the content, the argument, determines what is useful. So you'll have to determine whether it develops your paper in the right direction or leads it off on a tangent.

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Fri, 09/24/2004 - 16:15
 

When you are making refrence to a person or source you need to identify who they are and what relevance they have to the topic. Who is Matt Haughey? "Matt Haughey says..." You could say "Matt Haughey of such and such company, says..." to that extent.

You say the main project for creative commons "is starting with is introducing their technology for music sharing", so make this part of the beginning of the statement.

The topics do relate to each other, but they tend to overlap in content.

When changing topics within the paper follow the white paper outline by making a header for the topic. (refer to the first white paper reading assignment)

When making refrence to a sournce do not put in the complete URL. create a hyperlink to the site with text. This way the text does not look so cluttered.

Hope this helps :-)

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Mon, 09/27/2004 - 15:51
 

mrobbins,
Thank-You for the comments on our white paper, they were well represented and brought out many of the groups own concerns. I knew from the moment we turned this paper in another major reconstructive project would need to be placed on top of this paper. The paper has potential it just needs a million dollar facelift. As far as the references are concerned, as a group we decided we would concentrate on that issue in the second posting of our draft. Your next comment was one of the most beneficial I have seen throughout the commenting section. Charlie discussed this quite in depth as well and that is we need a general thesis. That is what the paper is lacking right now and helps to know that more than one person agrees on this topic.

Thanks again for the constructive comments and the group will work in order to pull all these comments together in order to compensate for a truly great paper.

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Fri, 09/24/2004 - 16:13
 

"Creative Commons is a non-for-profit company that is using creative ways of copyrighting works of art and then enabling others to download it"--for this part, it may be more clear to the reader if you just list examples of such creative ways, and then later explain them in the paper. This will help keep the attention of the audience and want them to continue to read on.

"This has been a debatable and hot topic over the past five years with Napster, Kazaa, and Bearshare undergoing investigations for copyright infringement."---providing a real-case example of someone prosectuted for illegal file sharing on one of these sites might make the issue more realistic to your audience.

"The music sharing license that Creative Commons uses a three-layer interface to incorporate the legal bindings of the music."---before going on to explain the elements of the three-layer interface, you may want to create a bulleted list to make these stand out to the reader, then insert the paragraph summary of each element.

"They offer different types of copyrights for your works like Attribution, Noncommercial, Derivative Works, and Share Alike."--this part is confusing to me, and may be to other unfamiliar readers. Define each of these copyrights so that users will know which type is appropriate for their use.

"Once you have made your choices, you will get the appropriate license expressed to you in three different ways."--this might be another good area to create a bulleted list to make an impact of the 3 ways before explaining each.

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Mon, 09/27/2004 - 15:45
 

-I like the idea of dangling some information out there and explaining it later. That would be a good way to keep the reader interested.

-We did provide a link to a website which lists every suit the RIAA has filed. It was in a different part of the paper though, so we should probably put it along with that section as well.

-I agree with the bulleted list idea as well. We didn't really stick anything in our paper with a design like that. We definitely need a few more ways like that to help the paper flow a little better.

-Explaining the different types of copyrights might be a good spot for another list or possibly a graph. That would definitely be one of the things we would want the reader to be able to recall later.

-Once again, I agree with the bulleted list idea. I am pretty big on the idea anyway since I get so tired of reading straight text like we have put together thus far. My eyes suck.

Dick Clark

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Fri, 09/24/2004 - 16:12
 

The executive summary is explaining too much of what you went through to compose the paper. I think it should be more of an overall summary of your paper, not your hardships, because your reader doesn't really care about that when they are looking for information.

"Creative Commons has incorporated web blog use in with their file sharing"---A weblog and a blog are the same thing.

Open source Morpheous is talked about...but what is open source? What does it mean?

The "Analysis of my article" sections seems very out of place and not really realted to the rest of the paper.

Where any sources used? And if so, where are they?

Overall, the topics flowed well and tied into each other. I feel as if the overall issue was addressed pertaining to music, being copyrighted and also being shared.

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Mon, 09/27/2004 - 15:53
 

The comments that you left were very helpful and explained very well of what my group needed to do in order to fix it. Now that we know that our executive summary is not explaining enough about the overrall summary of the paper will can go back and fix that now, and make it less of an instructive piece of how we composed our paper.

Along with that we also know now to fix little things such as changing blog and weblog around, explaining more about what a open source is and what it means.

Our group is aware how the "analysis of my Article" kind of sticks out. Our goal is to try to make it blend better with the rest of the paper, or possibly give it own section on the white pages.

Source wise we need to put our sources together, nd geve them more credit where they are deserved in the paper. Thank you for your comments they helped alot.

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Tue, 08/24/2004 - 15:16
 

The CC weblog regular features new intiatives using CC licenses.

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Fri, 09/24/2004 - 15:42
 

Please Ignore Posting Number Two and Go Straight To White Paper Posting Number Three

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Fri, 10/15/2004 - 16:13
 

"However, thanks to creative commons licenses are now available for artists who fear their music will be tapered with."

You might try "But creative commmons demands that licenses be available to artists who fear tapering of their music."

"A license can be thought of as a legal document which grants certain rights in creative works to another party."

It might be better to say "A license is like a legal document granting certain rights in creative works to another party." Not only is this more concise, but it also brings in the literary element of using a similie.

"Creative commons allows artists to offer some of their music, but only under the conditions the artists want to follow."

Try something along the lines of "The power of creative commons allows artists to control their work."

"Noncommercial allows you to let others copy, distribute, display, and perform your works, but this is only if you use it for noncommercial purposes only."

This might be better shortened by saying "Noncommercial allows you to let others copy, distribute, display, and perform your works for noncommercial purposes."

"The fourth attribute is share alike which allows others to distribute derivative works only under a license identical to the license that governs your work as well."

Maybe this would be better broken down into 2 more concise sentences. Try "The fourth attribute of creative commons is a quality called 'share alike'." This quality allows others to distribute derivative works only under a license identical to the license that governs your work also."

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